Wagner & Liszt Essay Example & Outline

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WAGNER AND LISZT


Introduction
The opera arena has been developed over the time to resemble what it is in the current times. Wagner and Liszt are the major contributors to the opera. The two composers have been able to improve and revolutionize the idea of the modern opera to resemble what it is today. They introduced new ways of approaching the modern opera such that in the period that they were in power, the opera gained popularity among the people. The paper will look at the contribution of the two composers on the development of the modern opera. The paper will answer the question on how the tow composers improved the modern opera arena to transform it into a major form of art that most of the people would come to appreciate and enjoy.

Proposal

The paper will start by giving a brief background into each of the composers. It will compare the points of commonality between the approaches used by the composers. The paper will provide the methodology used in analyzing the contributions of the composers to the music world. The paper will cover an extensive literature review on the contributions of the composers. It will analyze the contributions by use of comparison of the contributions of the users and the points of difference between the two. The paper will use the material found in the library to analyze the history of the composers. It will use the analyses conducted in the past on the contributions of the composers to the opera. The approach of the research will be secondary and primary. The data will be collected from the attendance of opera and use of library materials.

Read about the Beattle Song Opera

Outline

1.1Introduction; it will cover the main issues that the research will be handling
1.2Background information
1.3Research design
1.4 Methodology
1.5Literature review
1.6Analysis
1.7Recommendations


Annotated bibliography

Hamilton, K. (1989). The opera fantasias and transcriptions of franz liszt: a critical study.

Liszt contributed to the opera by providing a unique approach to the opera. Liszt was, in fact, among the founders of the modern approaches used in the opera arena. His approach to the arena reflected the inner habits of the composer. He was not interested in the outlook of the people on his life. On the contrary, he was waiting for the time when the people will appreciate the importance of music in life. The enthusiasts of the composer’s music may ask if the composer really found what he was looking for in the music world. The exact answer is that the ideal held by the composer are not manifested in the real opera world, as he may have wanted them to be. However, the very ideal are seen in the modern opera albeit in bits. The article indicates that the most prevalent ideal held by Liszt that is evident today so the music and aesthetic concept that determines the success of the modern opera today.


Kaplan, R. & Liszt, F. (1984). Sonata form in the orchestral works of liszt: the revolutionary reconsidered. Nineteenth-Century Music, pp. 142--152.

Liszt was the father of the sonata. Even though the modern form of sonata has undergone numerous changes, it still holds the ideals that were fronted by Liszt. Sonata made by Liszt was revolutionary yet observant to the ideals of the old sonata principle. This aspect of Liszt compositions makes him a major influence in the modern opera and not just a legend.

Burian, J. (1983). Svoboda, wagner: josef svoboda's scenography for richard wagner's operas. Wesleyan University Press.

Richard Wagner was a contributor to major development in the opera world. He is famed for the creation of the leitmotif, which is one of the most challenging forms of literature to be ever made. The opera technique is complex since it used small bits of music no more than two measures to develop the general plot of the musical opera. His approach to opera was by the use of the small measures of music to develop an opera approach that is both intriguing and diversified. The composer used this technique in most of his operas irrespective of their length.


Millington, B. (2006). The new grove guide to wagner and his operas. Oxford: Oxford University Press.

Wagner is also famous for his creation and ability to use tonal music. This music was effective when it was combined with the performance on the stage to present an aura that would encompass all the people in the audience. This approach to music makes the operas created by Wagner to have many emotions. The composer has the reputation of coming up with the best emotional filled operas.

Wagner, R. (1980). The authentic librettos of the wagner operas. Arno Press.

Wagner used various types of motives. One of the major motives that Wagner used was the ring motive. The motive was set up in the key of E minor. The composer also used C minor to set up the motive in the Alberich curse motive. The motive also had the tritone variation that was alternated with C minor. The interval was deemed to be a source of dissonance and while still maintaining the objectivity of the theme of the opera the composer was often capable of using musical variations to demonstrate the theme. The main variations and the bricks of musical measures that Wagner put in his music were critical to the entire opera. This trend is evident in the modern opera.

References
Burian, J. (1983). Svoboda, wagner: josef svoboda's scenography for richard wagner's operas. Wesleyan University Press.
Hamilton, K. (1989). The opera fantasias and transcriptions of franz liszt: a critical study.
Kaplan, R. & Liszt, F. (1984). Sonata form in the orchestral works of liszt: the revolutionary reconsidered. Nineteenth-Century Music, pp. 142--152.
Millington, B. (2006). The new grove guide to wagner and his operas. Oxford: Oxford University Press.
Wagner, R. (1980). The authentic librettos of the wagner operas. Arno Press.