Murasaki Writing Essay Examples & Outline

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Murasaki Writing

1."As long as she is pretty and innocent, and young enough to have nothing else on her mind, she may well put her heart into learning a pastime she has seen others enjoy, and in fact she may become quite good at it. And when those who know her disguise her weaknesses and advertise whatever passable qualities she may have so as to present them in the best light, how could anyone think ill of her, having no reason to suspect her of being other than she seems? (Genji 20)

This passage gives a glimpse of Murasaki writing. She mastered the art of effective communication and this passage shows it. She is specific and to the point in her descriptions. This passage adequately distinguishes the prettiness that the girl possessed. The use of questions is something that Murasaki has mastered in. By asking questions she throws the ball into the court of the reader who is then forced to think deeply about the situation.

2.There was an aging Dame of Staff, a lady of impeccable birth, witty, distinguished, and well respected by all, who nevertheless was intensely coquettish; and Genji was curious to know why, when a woman might of course be light in her ways, she should be so thoroughly dissolute even in her declining years. On jokingly testing the waters he was shocked to find that she did not think his proposition at all incongruous, but the adventure still amused him enough to pursue it, although to her great chagrin, he kept his distance for fear of starting gossip about his liaison with an old woman. (Genji 142)

Murasaki in this passage is talking of Dame of the Staff. This is one of the least developed characters in the story. Genji’s curiosity is put under the question and she feels that there are indeed several things that are not right with Dame. He admired her but felt that indeed there was something off with Dame of Staff. His description of the Dame of Staff is spot-on.

3."You so seldom speak, but when you do, you say the most extraordinary things! That is hardly our relationship to each other. What a way to talk! I keep trying this and that in the hope that you may change your mind and give up rejecting me all the time, but as far as I can tell, you only dislike me the more! Well, one day perhaps . . ." (Genji 105) This passage is taken from the time where Uri confronts Genji in regards to paying attention. The use of direct speech is evident in this passage, and it brings on a conversation like manner and gives more information regarding the characters. This again is something that Murasaki has been able to master. This again is repeated by the girl Ukifune. Kaoru is a sensitive when he approaches Ukifune and feels that there is a need to open up to her. He feels that indeed there are several things that have gone wrong with the relationship with Ukifune and this passage can relate that relationship.

4. "Leave me, if you will, burdened with your bitterness through all lives to come,

but know your real enemy is your heart, and yours alone."

The simplicity of her words was beyond all praise, but respect for her feelings and fear for his own situation now led him, dazed, to take his leave. (Genji 202)

The use of direct quotations and simulation of a conversation is evident in this passage. There is the use of italics also in order to emphasize the statement. This is of importance to understand. The direct confrontation is something that can also be seen in other parts of the story. For example, when Empress Akiko first met with Genji, there was a confrontation that looked similar. She was complaining to somebody that is not named. She is described as being shy, unsociable and fond of several old tales.

5.The voice, the manner, were not hers but those of someone else. After a moment of shock he understood that he was in the presence of the Rokujō Haven. Alas, what he had dismissed so far as malicious rumor put about by the ignorant now proved to be patently true, and he saw with revulsion that such things really did happen. "I hear your voice, but I do not know you. Please make it clear to me who you are." (Genji 176-77)

This passage shows the chronicles of events that occurred. Empress Sadako is the one that is being described in this text. There is the use of a self-reflective analysis which helps Empress Sadako to better understand the situation at the ground. She said that in the presence of Rokujo Haven. The use of direct quotes is again repeated in this passage.

6.In the summer of that year Genji's mother became unwell, but the Emperor refused her leave to withdraw. He felt no alarm, since her health had long been fragile, and he only urged her to be patient a little longer. However, she worsened daily, until just five or six days later she was so weak that her mother's tearful entreaties at least persuaded him to releaser her. (Genji 7)

This passage gives a glimpse of the chronology of events that occurred when Genji’s mother became sick. This is a self reflective analysis that was being done by Genji. He understood this phenomenon and never forgot about this mistreatment. This passage is in fact extremely important in the development of the story line in the book in that it marks the revolution of Genji. It shows Genji the cruelty of the world.

7."I am giving you the advice," I said, "that I should follow myself: for I set such high store by sincerity that I think if my mistress or even my wife were to tell me she was attracted to someone else, I should be upset, but not bitter. I should cease to behave as a lover or a husband, so that I could offer her my advice and sympathy." (Clèves 65)

This passage refers to the relationship that existed with Mademoiselle de Chartres and Monsieur de Cleves. There is the use of direct quotations in this passage, this brings out simulation of conversation. This information is said in regards to chevalier de Guise who is a young knight that is described as being madly in love with princess de Cleves. He is attracted to the Princess and feels therefore, this is the reason as to why the advice exists.

8.Mlle de Chartres replied that she, too, had observed the same qualities in him, and even felt less disinclination to marry him than any other man, but that she was not particularly attracted to him.

The next day, his proposal was communicated to Mme de Chartres and she accepted it, not fear that, in giving her daughter to the Prince de Clèves, she was giving her to a man whom she could not love. The contract was drawn up, the king informed and the engagement publicly made known. (Clèves 39)

Monsieur de Cleves is the husband of princess de Cleves, and he is described in the story as being prudent and rare. This passage gives information in regards to the relationship that existed between the two. Mademoiselle de Chatres did not love Monsieur de Cleves and instead loved Duke de Nemours. There is the use of allusion in regard to King Henri II who is believed to have been King Louis XIV.

9.Mme de Clèves read and reread this letter several times, yet without knowing what it was she had read. All she could see was that M. de Nemours did not lover her as she had believed, but that he loved other women and was deceiving them as he was her. What a thing that was to see and know for a person of her temperament, passionately in love, who had just displayed her feelings to a man whom she judged unworthy, and to another whom she had scorned for love of him! (Clèves 91)

In this passage, there is reference to the love that the Duke of Nemours had for Mademoisselle de Chatres. She loved Duke of Nemours and felt that indeed there was a need to ensure that she maintained the relationship. She was able to get information that the duke might not love her and therefore felt at loss. There is the use of vivid description in the passage. The use of a letter is another stylistic device that is used by the author to emphasize.

10."I remember how confused you were, the day when your portrait was lost. You gave it away, madame — you gave away the portrait that was so dear to me and legitimately mine. You could not hide your feelings; you are in love, and he knows it; but so far your virtue has preserved you from anything beyond that."

This passage gives information about the painting that was given away by Madame de Chatres that belonged to Mademoiselle de Chatres. De chatres is extremely annoyed about this situation and feels aggrieved. She feels like her mother does not understand her and this might explain the reason as to why her mother decided to support the marriage between her and Monsieur Cleves despite knowing that her daughter loved another man. This relationship that exists between Mademoiselle de Chatres and her mother can be described as the highlight of this passage and in general the whole story.