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Among the impressionist artists included Frederic Bazile, Eugene Boudin and Gustave Caillebotte. Bazile, through his work, always represented impressionism’s tragic figure. Among his masterpiece is “The Artists Studio”. Boudin, on the other hand, was a renowned landscape painter. His specialty was outdoor painting, and his exciting works saw most budding painters try to reproduce his lively brushstroke. Caillebotte, on his part, was renowned for his keen attention on photographic focus. He was an ambitious painter who tried most things that other painters would not dare risk.
The impressionism period still remains the artistic period that are most discussed and commented upon and it started in France as the 19th century was ending. The standout feature for impressionist’s artists was their innovative painting technique, as well as their approach to art which uses color impressively.
It is the contemporary developments in color that mostly drove the impressionists, as this go them an analysis that is more exact on the effect that light and color have in nature. They went away from most conventional ideas, and this is particularly what made their work stand out. For instance, the idea that an object’s shadow was received from its color was abandoned. In order to enrich their colors, the impressionists had an interesting way of manipulating the shadows. It was their wish to capture different atmospheres in different weather conditions and times of the day. This was especially so when it came to landscapes. For the fleeting effects to be captured effectively, speed was of the essence, and this is also something that they had mastered.
They used small strokes that were brightly colored, and these made their paintings exquisite in many aspects. In doing so, much of the outline had to be sacrificed, and this type of painting was often criticized by conservative painters. The freshness of the colors that the impressionists used was particularly never appreciated by the conservative artists. Their brushwork is one that revealed a unique spontaneity, and this is something that had only been appreciated in sketches previously. What propelled the impressionist technique of art was its vitality, and this is something that greatly endeared it to the public. With time, this growth became unrivaled, and that cemented the place of this unique technique in art history.
The composition technique of the impressionists’ artist is also one that stood out. Traditionally, artists were not so innovative with their paintings. The images that they created had colors, lines, tones and shapes arranged in a manner that led the eye to the paintings’ focal point. This was regarded as the picture’s most important area, and it had to be in a central position. Back the, if a painting’s edges or background detracted from its focal, the painting was considered poor. This is a rule that the impressionists broke. Photography, at this stage, was still in its infancy. The impressionists were also the initial group to embrace outside painting, and this covered aspects like landscapes. This commendably brought out the effect that light had on color.
Among the notable post-impressionist artist include Paul Gauguin, Vincent Van Gogh, as well as Paul Cezanne. For Gauguin, his distinguishing features included symbolism and synthetism. He always ensured that his feelings were synthesized with his painting’s elements, and this brought out an expressive power that most other artistes have always struggled to achieve. It also ensured that the colors were amplified. Van Gogh, on the other hand, ensured he put a careful analysis of light and color in his paintings. Cezanne, on his part, believed in structured compositions, especially those that paid particular attention to visual elements. This consequently ensured that his works were refined and catchy to the eye.
Post-impressionism, on the other hand, encompasses numerous artistic styles that are all distinct. These styles, it must be noted share a similar motivation in that they seek to respond to the impressionist movement opticality. Some of post-impressionisms key features include the stylistic variations that make the pictures attractive and striking. Particular attention was paid to the far-reaching aesthetics, and this was largely seen as a direct response to expressionism. The meanings that were contained in this type of art were highly personal and symbolic.
They desisted from depicting the observed world, and instead chose to focus on emotions and memories so that a deeper connection could be established with the viewers. One popular mantra of post-impressionists is that nature constitutes more than just the visible eye can see, the soul’s inner pictures are also included. The post-impressionists aesthetic vision was also dominated by optical effects, structure, as well as order. This implies that no particular attention was paid to merely represent the surroundings. The interrelationship between shape and color was greatly relied upon to ensure that the world was properly described. Abstract pattern and form were also greatly relied upon by the post-impressionists. This consequently encouraged the exploration of radical modernism.
References
Griffel, L. (2009). Painting the Impressionist Landscape: Lessons in Interpreting Light and Color. New York: Watson-Guptill Publications.
Hodge, S. (2004). How to Paint Like the Impressionists: A Practical Guide to Re-creating Your Own Impressionist Paintings. New York: Collins.
O'Reilly, W. B. (2001). The Impressionist Art Book: Discover 32 Glorious Paintings by the Great Impressionist Artists. Chicago: Birdcage Books.
To: Compliance/RCO Auditor, St. Vincent Hospital, 317-583-4163
From: Jamee Forbes
317-583-4148
Subject: Increase in Training to deal with billing delay issues, denial issues, coding issues and charging issues
Ascension company has been in the forefront in financial billing within the area of Northern Indiana. However, I have noted with a lot of concern that staffing turn-around is too high, and there is no proper training to deal with the aforementioned issues. The company currently has a lot of potential that has not yet been achieved, it needs to do more in order to get where it should be. The organization needs to increase the level of training in order to increase management stability when processing these issues. Proper cross training will come in handy and will allow different task teams and process improvement teams to effectively spend time with their staff in order to gather information of what should be used and what works best.
The training will undoubtedly help the employees to gain trust with the different hospital facilities, and they will have more control to different ideas in regards to success communication and what should be happening. It is of the importance to note to understand that the lack of trust is partly due to the lack of proper training. Therefore, the training will help restructure the organization, and the workers will be able to be effective in the delivery of their affairs. Training will also help in the areas of overcharging or wrong charges being put in the system. The staff with enough training will be able to have a deeper understanding about the different posting of charges and possess enough communication of how the processes need to work. Information sharing will also be imperative, and communication skills will need to be imparted to the workers of the organization.
Training will be important comes to the billing delays. In the Health information systems department, procedures are often charged by the department however the coding is often done with a different anatomy part. The training is imperative as it will make sure that the medical staff understands how to properly charge as well as code. With enough training the workers will understand in an in depth manner the mistakes that are caused at the beginning which often causes billing delays and also the no revenue when it comes to hospital in order to give to the less fortunate.
The workers need to be trained on Ascension health non-profit policy. They should be able to understand and be indoctrinated with the values of the organization such as reverence, dedication, integrity, wisdom and creativity. They should be able to understand that they have a role of taking care of the less fortunate. These values will help one in ensuring that the organization is more effective, efficient and dwells upon its core principles in its workings.
Therefore, training is a must for the company if it wants to go forward in terms of its operations, reduce delay in billing and understanding the posting of the charges as well as the possession of enough communication in order to enhance information sharing in the company.
AWEA stands for American Winds Energy Association and represents the national trade association for the wind industry in the U.S. It of great essence to note that the wind industry is the fastest growing energy sector. With several thousand members representing the wind industry and the policy advocates for wind, AWEA targets at promoting wind Energy as affordable and environmentally friendly source of energy for the consumers within the United States. This group premiers as the one representing the interests of wind energy sector in America. With more than 1200 organizations enrolled in its membership program, AWEA forms a conglomerate of power project developers and wind power parts manufactures. It also plays a major role in research and development.
The active members within AWEA have the opportunity to serve in the Leadership roles as Board of Directors or within the leadership council. The mission of AWEA is to sensitize and promote the use of wind power as a clean source of energy via education, advocacy and communication. In so doing, AWEA has Wind Energy Foundation dedicated at raising the awareness on wind as a clean source of energy through research and development as envisioned in the mission.
Wind power is an alternative and renewable source of energy that has the lowest environmental impact. It serves as a good source of electricity through the turning of the turbines by the wind energy and reduces greenhouse gases emission that are great contributors of climate change. Wind energy is clean which means that it does not emit either water or air pollution. Furthermore, the benefits of wind energy are huge since there is no generation of biohazardous radioactive wastes. The only fuel needed by the turbines is the wind. This averts environmental risks associated with fuel exploration, oil extraction, shipment and oily sludge disposal.
In terms of environmental standards, wind energy holds itself to a higher level and mitigates any impacts to biodiversity. Conservation programs adopted by the wind turbine developers are all-inclusive taking consideration of the habitat that helps in conserving and preserving the bird life. This involves prior study of the migratory pathways of the birds before erecting the structures. The benefits reaped from wind energy are enormous with a reduction in more than a 100 million metric tons of carbon dioxide emission. Combined benefits accrued from wind energy makes it safe for wildlife and human beings in comparison to the conventional energy production methods. The innovative and ambitious attitude of Americans makes wind energy opportunity for growth.
AWEA like any other organization has a strategic plan which represent the commitments underscored by the Board of Directors. The strategic plan for AWEA is represented in the Wind Energy Agenda which has four main pillars for focus. The agenda for AWEA is as follows:
Driving the necessary demand for development of wind energy
Increasing the cost-competitiveness in Wind Energy in comparison to other forms of energy production methods
Implementing necessary policies that will assist with deployment and operations
Building a good rapport with politicians for the advocacy and implementation of our agenda
The policy issues AWEA is facing include; community wind and wind and the wildlife. The former seeks to address local support in terms of ownership and control. Several business models have mushroomed in the wind energy development agenda. Community winds include those run by mini-wind farms and those owned by the cooperatives and municipalities. AWEA is working around the clock to ensure community participation. This is by formation of Community Wind Working Group charged with the responsibility of outreach efforts. Farm Bill conference recommended funding of 1.46 B for a period of five years. The funding will help AWEA Community working group in delivering its mandate. The recent news on the issue is that the Bill is expected in to pass in the Senate after success in the House.
The other policy issues are the misconception between Wildlife and wind. There is misinformation on the effect of wind and wildlife. AWEA has taken stern move to clear the air on the issue by having a dedicated article in the website demystifying the myths. AWEA has provided a level playfield and information resources centre to explain the environmental impacts of wind. The association statement on the problem is that wind energy is safe for use.
The mission of the campaign is to make wind power as an alternative to clean, home grown source of energy to power the country. The Power of the Wind is the formed from a network of supporters to champion the development and advocating the development of wind energy. With this campaign, the system hopes to shift total dependency on wind energy as a source of electricity. The advocacy including urging the legislators in the member states to stand for Wind Power. Other actions taken by the group include encouraging the legislators to support the implementation of wind power. The key issues in the advocacy are the renewable electricity standard policies and energy production tax credit under the federal government.
Subject Matter
In terms of subject matter, both “Massacre in Korea” and “Guernica” are in the same boat. Both of these paintings were painted as protests to the killing of innocent civilians at the hands of war (Charles 2011). In “Guernica”, the bombing of Guernica during the Spanish Civil War is the subject matter. Through the painting, Picasso shows the effects of civil war on the victims. In “Massacre in Korea” the subject matter is still war. This painting was a protest to the invasion of Korea by American troops. The involvement of America in the war sparked Picasso into painting the work as a protest. Here Picasso portrays a group of women and children about to be killed by robot soldiers. Both paintings address the theme of war and its effects.
Style
In terms of style, these two paintings are similar yet still different. First off, both paintings depict expressionist styles (Charles 2011). In both paintings, Picasso uses subjectivism in both paintings hence one can only understand the true meaning of both paintings if one looks inward. The bold form depicted in both paintings, as well as line and intensity are characteristic of expressionist painting. The choice of color is also a representation of emotion. In “Guernica”, Picasso chooses black and white to set a somber mood. A similar mood is achieved in “Massacre in Korea” due to the choice of color.
However, “Massacre in Korea” exhibits hints of surrealism, as well. This is unlike “Guernica” that is completely expressionist. The painting depicts robot soldiers invading a village in Korea. The use of robot soldiers is representative of surrealism. The characters also depict surrealism in this painting. For instance, the symbolism of a ‘mentally displaced teenager’ highlights the use of surrealism. The absence of cubism in both paintings is clear (Charles 2011).
References
Charles, V. (2011). Pablo Picasso. New York: Parkstone International.
Abstract expressionism has been used to describe the kind of artwork that has non- geometric abstract characteristics. It was popularized in America during the post world war two era. Some of the other terms that have been used to describe it include “action painting” and “American type painting”. Abstract expressionism entails a way of evoking emotions by the use of an abstract figure, images or simply gesture painting.
Jackson Pollock, William Baziotes, and Williem De Kooning are some of the artists who specialized in abstract expressionism. They relied on dynamism, energetic gesture along with the use of colors to allow them to fully express their emotions on canvas. These were done in a way that the audience would not have a clear understanding of what they are looking art. Pollock specialized in the use of "drip" to paint abstract pieces of art. Kooning focused on using female body figures while Baziotes used a mixture of figures that seem to have come from a dream. All these got done in a way that made them evoke emotions. They were also a part of the New York School, a term used to describe the group of artists that thrived around 1946.
Jackson Pollock
Jackson Pollock’s emotions could be seen throughout his work. A closer look at his paintings shows a transition from a boy into a man. One cannot help but notice the change from a sober mind, into a drunk who later had a dark view of the world. his work is said have “darkened when his wife decided to settle for a mutual separation. Jackson used drip painting technique to express the state of mind that he was experiencing.
Paul Jackson Pollock was born in the small town of Cody, Wyoming back in 1912. One of the emotions that Pollock experienced while growing up is loneliness. According to his biography, he was the last child in a family of five boys. Being in such a position meant craving for attention from both siblings and parents, something that he never achieved. His father was a farmer while the mother had a soft spot for art. She is celebrated for her ambition to concur the art scene back in her days.
Pollock’s childhood did not get any better in the years that followed. By the time he was 8, his father had already abandoned his family, living them to fend for themselves. The eldest son, Charles, was compelled to step in and be the bread winner. The feeling of rejection followed Pollock when his elder brother’s ability to paint was considered to be supreme. This was at a point when Pollock had nothing to offer. In spite of Pollock’s mother having a keen eye and ambition for art, it is Charles who ended up having the greatest influence in his journey into art. Pollock enrolled at the Manual Arts High School, not knowing that this journey would never stop. It is recognized that his creativity got the best of him and was expelled two times from the institution.
Love and family are known to be some of the elements that motivated Pollock into painting. By the year 1945, he got married to Lee Krasner, a woman who also appreciated art. She specialized in Jewish contemporary art and was recognized for her love for painting. She is the sole that later had the biggest influence in the life of Pollock. Pollock's wife fell in love with what he did to the extent that she transformed the barn into a studio, just to encourage the love of her life to do what he does best. The serene environment brought the best out of Pollock, and he was energized to work. He is recognized for his unique painting style where he spread his canvas down and used "drip" technique to apply paint. He used different tools to control the way he wanted the paint to resemble.
Pollock rose to fame in 1949, a period commonly known as the “drip period”. His fame came when he was featured in Life Magazine. With fame, he also faced numerous critics who at some point pitched a notion that he was a fake. Pollock’s first gallery show at Betty Parson Gallery totally sold out. As he grew arrogant and talked ill about some of his partners including Thomas Hart Benton, he started taking a downward trend. His subsequent gallery shows never sold out. This downward trend was Pollock drop the use of symbolic titles in his work and adopt numerical connotations. His sadness could be seen in his work. He also changed from making colorful paintings and focused on black and white as the key ingredients.
Krasner opted to move back to France, being that she could not deal with the drunk, depressed cheat that Pollock had become. By 1956, he had stopped painting. This is also the year that he met his death after crashing into a tree after a drinking spree. Pollock’s works were opened to the public in 1956 and 1967. He remains to be one of the most influential members of the New York schools. His works are celebrated by many in the United Kingdom.
William Baziotes
William Baziotes was born in the year 1912, the same year that Jackson Pollock was given birth. As much as they both grew up to love abstract expressionist paintings, they had different styles and motivation. Unlike Pollok whose main influence included love and family, William Baziotes’s motivation was linked to poetry. William is celebrated for having focused on biomorphism and symbolism in his work of art. According to critics and lovers, his works of art were seen to have a deep sense of mystery.
Baziotes was born in Pittsburgh, Pennsylvania. He was born to a Greek family that later worked hard enough and saw them move to a higher rated city, Reading, Pennsylvania. In the city of Reading, Baziote worked at a glass company during the day. In the evening, he had enrolled for drawing classes. In 1933, Baziotes came to meet a character, Byron Vazsakas. Little did he know that this would be the person that would end up being most influential in his life as an artist. Byron had a deep appreciation for poetry and was a poet himself. His exposure in the poetry world could be seen in the way he analyzed the works of figures like Charles Baudelaire. The latter was one of the most renowned symbolist during that era. The character is the same individual that Baziotes based his writings on. The influence that Byron had on Baziotes was great to the extent that he managed to convince him to enroll into and art school. During the same year, Baziotes came to New York to study art.
Apart from using symbolism, Baziotes’s way of art grew to be unique and deep in nature. He developed a specific was of paint application, a move that also made his works very popular. He used the abstract form in combination with imagery in his paintings. The main reason for using such techniques was to evoke emotions. His works have been described as being borrowed from the “dream world”. The use of both emotionally charged paint applications, abstract form along with “dreamy” ideas made his work almost similar to European Surrealism.
William Baziotes’s work remained to be unique and appealing to many especially being that he never moved away from using figures. He mastered the art of blending figures and other forms that his audience could not easily pinpoint. His final works of art were known to have an element of poetry in them. He even went further to incorporate the use of stain glass. Williams’s style has always been linked to his past, the time he worked in the glass factory.
The Parachutist (1944) remains to be one of Baziotes’ best works. It reveals Surrealism, looking at the way he let the paint drip all over the canvas. He used thick paint and heavy lines as a way of making his paintings look colorful. The piece embodied numerous elements of what was taking place during that time and with that in mind, the paint had a very strong emotional feel to it. It reminded the audience of the day American troops used parachutes to penetrate the enemy lines.
Baziotes is celebrated for being influential to other painters that followed. He is also known to be one of the pioneers of automatic drawing, along with Surrealist technique. Apart from using his life experiences to influence his drawings, he managed to incorporate the events that were taking place during that time to evoke emotions. His legacy shines as one of the best expressionist artists that ever lived.
Willem De Kooning
One of the most memorable utterances made by Willem De Kooning was his description of why he does what he does. As one of the most celebrated expressionist that every existed, he based his works on emotional appeal. In comparison to Pollock and Baziotes’ pieces, he came out as the most emotional. In his statement, he believed that art is not based on trying out abstract styles, adding things into a picture then later removing them if they fail to please the eyes. He says that unlike other artists who focus on color and line to develop emotion in abstract, he aims at putting less in his works, hence having a chance to evoke emotions including anger, pain and even love by simply adding one single element. Willem De Kooning is said to be the person who took over from Pollock. His artistic style was a true reflection of expressionist.
Kooning was born in the year 1904 in the town of Rotterdam, Netherland. He was raised by a single mother following his father opt to abandon them at the age of three. As a result of the way they lived, he was compelled to drop out of school and pursue a venture that could bring food to the table. He was known to be proactive in helping his mother run a bar that she owned. At the seniority of twelve, he went on a mission to be an apprentice in a locally produced design film. A few years later, he managed to enroll at Rotterdam Academy of Fine Arts. This was the first time he showed interest in art. Kooning first loved the idea of making art using the Dutch based style of Jugendstil. In his mind, art was all about using organic forms to make art. In his search for the technique that best suited him, Kooning abandoned his prior passion and opted to pursue a style that would make him the sole controller of his works. He based his ideas on the purity of colors and forms. His concept helped him grow into the master craftsman that he desired.
At the age of twenty, Kooning moved to Virginia America. Here, he worked as a painter and designed windows for whoever needed his services. With time, he started to appreciate the works of art and moved to Boston. His financial state did not allow him to be a full-time artist, but his passion never died. Kooning fell in love with the New York art scene to the extent that he turned down a well-paying job in Philadelphia, only to remain jobless in the big apple.
Picasso’s retrospective pieces ended up being the turning point for Kooning. He developed a stronger passion for cubism and abstract art after this exposure. As much as he states that most of his works were influenced by many artists, Arshile Gorky emerged as the most influential. Kooning took his time to understand fully how Gorky moved from Picasso's cubism to Miro’s surrealism. In the long run, he was there to witness the power of maturity in art when she finally developed her style. By the year 1939, Kooning had already deep himself into the art world.
Kooning focused on making fine art, taking a break from his norm of producing commercial paintings. After being featured in the New Horizon, his popularity was elevated. During this period, he concentrated in using men as the centerpieces for his exhibitions. He struggled with some of his pieces, shoulders and arms standing out as the most challenging parts. His pieces were seen as unfinished giving to the fact that he had to scrap out some parts during the painting process. He also developed a keen liking for abstract art.
De Kooning is known for his unique works where he focused on abstract expressionism but never abandoned the use of human figures in his pieces. He developed a signature move where he used women figure in his works. In his maturity, he was the king in blending elements of ambiguity and ground in his pieces. Another signature move that Kooning managed to perfect is the incomplete nature of art. He presented his pieces in a way that the audience would fill that the artwork is not complete, but rather still in the process of completion. Action paint became his forte.
Kooning’s first major painting was “seated woman”. The artist was also an affiliate of the New York school. Most people agreed that he ended up possessing the most polished artistic skills in comparison to the other members of the school. One of the mind-boggling outcomes is the fact that he never rose to be as famous as Pollock.
Expressionist in the New York School
The New York school came out as a strong body, putting together artists that were dimmed to be the best of the best throughout the Expressionist era. To a larger extent, as much as all these artists were considered to be masters of the same artistic style, they had major differences and even sources of motivation. Jackson Pollock was greatly influenced by his search for love and the sense of belonging. He was seen to paint a colorful picture when he was happily married. In his dark days, he used darker colors to express his emotions. Pollock stood out as a master of "drip" technique. His paintings were fully complete, and their abstract nature was key to their beauty.
De Kooning has been branded as the artist who replaced Pollock in the New York school. Even though, he was also a drunk, his life while growing up seemed to be more focused. Kooning, unlike Pollock, used figures in his work to evoke emotions. Kooning moved from incorporating male figure, to landscape before settling for the female body. To a larger extent, the main women in these artists’ lives brought out the best in their work. While Pollock’s wife became his greatest marketer, Kooning’s wife became an inspiration for the use female figures in the works of art.
In comparison to the pieces that Baziotes did, he works stood out to have no similarities to those of Pollock and Kooning. The only similarity that comes out would be the fact that at some point, all these artists painted landscape art. Baziotes focused on using figures that were unclear and complemented them with the use of thick lines and dripping paint to evoke emotions. The figures are said to look like those from a dream where one could not tell what they were. Kooning went as far as presenting artwork that seemed unfinished in a bid to evoke emotions. He believed in addition of simple images to bring out emotions, unlike the typical move by artists where a lot was added, and then scrapped out if needed.
Conclusion
The term abstract expressionist was introduced to America by Alfred Barr. The term was letter popularized by Robert Coates, a renowned art critic. Originally, the word was used in Germany while referring to the artwork of Wassily Kandinsky back in 1919. It later grew to be the best term to be used while describing expressionists’ works that had no specific figures. In America, the term was linked to the post- World War two art era. By the year 1951, the term was officially used to describe any piece of art that had a sense of non-geometric abstract. Other phrases that have been used to describe the same thing include “action painting” and American type Painting”.
Jackson Pollock, Willem De Kooning, and William Baziotes stand out as some of the key players in the works of abstract expressionism. After the post world war art period, these are the people who are ended up influencing multiple artists that came after. Their pieces of art have been a point of reference by many art scholars who out the 19th and 20th century.
References
Alley, R. (1981). Willem de Kooning 1904–1997. Catalog of the Tate Gallery's Collection of Modern Art other than Works by British Artists, 396.
Eugene, T., & Paul, V. (1987). The Abstract Expressionist. The Metropolitan Museum of Art Bulletin, 44.
Heijnsbroek, F. (1952). William Baziotes and Abstract Expressionism. Famous Artists, 1-3.
Kiesler, P. G. (2005). The Story of Art of This Century. Peggy Guggenheim Collection, 4-6.
Knight, C. (1996). An Enlightening Show of Abstract Expressionism. LA Times, 1-6.
Paul, S. (2000). Department of Education, The Metropolitan Museum of Art. The Metropolitan Museum of Art, 45-52.
Staff. (2011, 09 12). The art story.
William De Foundation. (2012, 02 15).
Impressionism refers to an artistic movement of the 19th Century that influenced most of the sculptures and painting styles during that period. Impressionism had a tremendous impact on art and in some way also influenced other art forms like photography and literature. Some of the individuals who contributed greatly to the progress of impressionism were Paul Gauguin, Fréderic Bazille, and Paul Cézanne. One of the examples of the 19th Century impressionist art that can be placed in the office is the “The artist's studio - Bazille's Studio," - 1870 - oil on canvas, 98 - 128.5 cm” (Novotny, 1995, 84). The piece of art was done by Fréderic Bazille, and it is widely considered as a masterpiece. Another piece that can be placed in the office is the "Les raboteurs, 'The floor scrapers'," 1876 - oil on canvas, 102 - 146.5 cm,” by Gustave Caillebotte (Novotny, 1995, 84). The last impressionist art that can serve a great purpose in the office is the "Paris Street, rainy day" 1877 - oil on canvas, 212.2 - 276.2 cm,” by Gustave Caillebotte (Novotny, 1995, 86).
The above art pieces are considered as impressionist art of the 19th Century since they were drawn and painted during the period, as the year in each painting states. The end of the impressionism era did not mean that it was an end to the art of painting and sculptures. One of the pieces that can be essential in the office is the “Bedroom in Arles” -1889- oil on canvas, 57.5- 74 cm,” Vincent van Gogh (Lewis, 2007, 44). This piece is the last piece in a collection of three other similar pieces. The office could also work with is the “Couple Walking in the Trees” -1890- oil on canvas, 50- 100 cm,” by Vincent van Gogh. The last piece of painting that can be placed in the office is the “Seaside II” -1887- oil on canvas, 46-61 cm,” by Paul Gauguin (Lewis, 2007, 32). Despite the three pieces above being painted still in the late years of the nineteenth century, they are considered to belong to the post-impressionism period. Post-impressionism lasted from 1886-1905, and it was created due to the concern for a naturalistic depiction of light and color (Brodskaia, 2010, 7).
To: Daniel Craig, the CEO of Castor Organization
Subject: Office Paintings Suggestions
Mr. Daniel,
I have attached sample images of the paintings that I suggest can be put in the office premises. This is according to your request for me to do a research on three impressionist paintings and sculptures and three post-impressionist images for the office.
“The artist's studio - Bazille's Studio; 9 rue de la Condamine" depicts an image of what a studio belonging to an artist would look like. In the painting, there are some individuals who seem to be having a discussion and there are other paintings hung on the walls. The "Les raboteurs (The floor scrapers)," shows three individuals, who are scrapping the floor while on their knees (Novotny, 1995, 124). The two paintings can be placed in the conference room, where meetings are held.
"Paris Street, rainy day" shows individuals dressed in heavy attire and covering themselves in umbrellas, showing that the weather might be rainy. However, there are no raindrops or patches of water that can prove that it is raining. “Bedroom in Arles” painting shows a room with a bed, a table with some stuff on top of it, two chairs and some portraits on the walls. The painting is smaller in size compared to the two previous versions (Lewis, 2007, 45). The two paintings can be placed on different walls, but they have to be placed in access ways that are used by most if not all workers.
In the painting “Couple Walking in the Trees,” the painter shows a couple walking through a tree vegetation. The vegetation is quite thick, but there are places where light has penetrated, showing that the vegetation is not that thick. This painting can be put in your office, behind the seat so that anyone who enters the office catches a glimpse of it. “Seaside II” is a painting that shows two individuals seated a few meters away from the sea. They seem to be having a discussion, and there are other individuals, about five with one being a child passing by the beach. The painting would serve its purpose when put in the room where workers can photocopy their documents, print them or even grab a cup of coffee.
I hope the descriptions provided offer you with a vivid description of the paintings. If you have any suggestions concerning the positioning of the paintings or want to change a certain painting, please let me know.
"Paris Street, rainy day" is considered as the best representation of Paris in the 19th Century ever painted. The painting is quite symbolic since all the individuals in it are adorned in heavy clothing and are covered with umbrellas (Novotny, 1995, 165). However, there is no evidence that can be associated with rain in the painting; there are no raindrops or water patches. "Les raboteurs (The floor scrapers)," was very important since the way it is painted it seems like the image was taken by a camera. The focus on the lighting and emphasis on the direction redefined the approach to painting. "The artist's studio - Bazille's Studio; 9 rue de la Condamine" has a symbolical significance in that it shows a typical prototype of what an artist’s studio looks like.
“Seaside II” also has a historical significance for it is among the successful paintings that were a successful experiment of new color theories and semi-decorative approaches to paintings. (Lewis, 2007, 78) “Couple Walking in the Trees,” was another successful painting among the series of olive trees collection. “Bedroom in Arles” creates the image of a bedroom, which is supposed to be a room where one can relax. Therefore, the aim of the painter is to relax the mind of the viewer as well as put his imagination to rest.
"The artist's studio - Bazille's Studio," shows that our firm is well structured and organized. This is in relation to the painting, which is an artist’s studio and how it is organized in a good manner. “Bedroom in Arles” relates to the office working space in that every worker should feel relaxed and at home while working in the organization. However, this is not an encouragement of any lazy behaviors at work. “Couple Walking in the Trees,” relates to every worker to take his fellow employee or colleague like they are in a relationship. Therefore, the employees should work together, understand, respect each other, and work in harmony. This avoids the risk of unnecessary conflicts in the working environment. "Les raboteurs (The floor scrapers)," should encourage all the employees to work hard like the floor scrapers. This should increase the productivity of the company, resulting in making profits.
“Seaside II” provides the workers with an image of the company, that is on the seaside, and the problems that it faces being the sea. The problems may include competition and losses incurred, and the workers should work together to overcome the problems. Lastly, "Paris Street, rainy day" depicts the current situation of the company in the market. The people dressed in heavy attire and covering themselves in umbrellas are the workers, while the condition, which is taken as rain, are the challenges that the company faces. The challenges that the company faces may not be visible, however, the workers should never allow the situation to fool them and let down their guard.
References
Brodskai︠a︡, N. V. (2010). Post-impressionism. New York: Parkstone International.
Lewis, M. T. (2007). Critical readings in Impressionism and post-Impressionism: An anthology. Berkeley: University of California Press.
Novotny, F. (1995). Painting and sculpture in Europe 1780-1880. New Haven: Yale University Press.
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